Gary Hall is a theorist, writer and experimental publisher, working in the areas of new media, philosophy, art and politics. He is Professor of Media and Performing Arts in the Faculty of Arts & Humanities, and Director of the Centre for Disruptive Media, at Coventry University, UK. He is author of Culture in Bits (Continuum, 2002), Digitize This Book! (Minnesota UP, 2008), Pirate Philosophy (MIT Press, 2016), and The Uberfication of the University (Minnesota UP, 2016), co-author of Open Education (Rowman and Littlefield International, 2014), and co-editor of New Cultural Studies: Adventures in Theory (Edinburgh UP, 2006) and Experimenting (Fordham UP, 2007).
In 1999 with Dave Boothroyd he founded the critical theory journal Culture Machine, a pioneer of open access in the humanities. In 2006 with Sigi Jottkandt and David Ottina he established Open Humanities Press (OHP), the first open access publisher dedicated to critical theory. OHP currently has 19 journals in its collective. OHP’s open access monograph project - run in collaboration with Michigan Publishing at the University of Michigan in its first five-year phase - was launched in 2009. It includes the Liquid Books series he edits with Clare Birchall. Together with Joanna Zylinska and Clare Birchall he also edits OHP's Living Books about Life, a Jisc-funded series of twenty-five open access books about life - with life understood both philosophically and biologically - that provides a bridge between the humanities and the sciences. In 2010 he was visiting fellow in The Centre for Research in the Arts, Humanities and Social Sciences (CRASSH) at the University of Cambridge; from 2013-2015 he was visiting professor at the Hybrid Publishing Lab – Leuphana Inkubator, Leuphana University, Germany.
He has given lectures and seminars at institutions around the world including the Australian National University, Columbia University, European University Institute, University of Heidelberg, University of Calfornia, Irvine, K.U. Leuven, Lund University, Monash University, New York University, University of Southern California, the Onassis Cultural Centre in Athens, and the Reina Sofia Museum in Madrid. With over thirty peer-reviewed publications in edited books and academic journals including American Literature, Angelaki, Cultural Studies, Journal of Visual Culture, New Formations, The Oxford Literary Review and Radical Philosophy, his work has been translated into Chinese, French, Japanese, Turkish, Russian and Slovenian. He is currently developing a series of politico-institutional interventions that draw on digital media to actualise or creatively perform critical theory; and completing a new monograph, Data Commonism: The Rise of UberCapitalism and What We Can Do About It.