Recent...

 The Inhumanist Manifesto: Extended Play (Techne Lab, 2017)

'The Inhumanist Manifesto', Media Theory, Vol. 1, No.1, 2017.

The Uberfication of the University (Open access Forerunners series version available here; as of April 4 2017 an interactive Manifold series version is available here.)

Públicos Fantasma - La Naturaleza Política Del Libro - La Red (Mexico: Taller de Ediciones Económicas, 2016) - new book, co-authored with Andrew Murphie, Janneke Adema and Alessandro Ludovico. 

'Posthumanities: The Dark Side of "The Dark Side of the Digital"' (with Janneke Adema), in Janneke Adema and Gary Hall, eds, Disrupting the Humanities: Towards Posthumanities, Journal of Electronic PublishingVol. 9, No.2, Winter, 2016.

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repository CURVE here 

Radical Open Access 

performative project Janneke Adema has put together, based on our ‘The Political Nature of the Book: On Artists’ Books and Radical Open Access’ article for New Formations, Number 78, Summer, 2013. 

'What Does Academia.edu's Success Mean for Open Access: The Data-Driven World of Search Engines and Social Networking', Ctrl-Z: New Media Philosophy, no.5, 2015.

Norimichi Hirakawa, The Irreversible [4-Dimensional Version] 2016

Biography

Gary Hall is a writer and cultural theorist working in the areas of media, politics and technology. He is Professor of Media and Performing Arts in the Faculty of Arts & Humanities at Coventry University, UK, where he is a director of the postdigital arts and humanities research centre/studio, The Post Office (which is a disruptive iteration of the Centre for Disruptive Media he ran previously). He is the author of a number of books, including The Inhumanist Manifesto (Techne Lab, 2017), Pirate Philosophy (MIT Press, 2016), The Uberfication of the University (Minnesota UP, 2016), Digitize This Book! (Minnesota UP, 2008), and Culture in Bits (Continuum, 2002). He is also co-author of Públicos Fantasma - La Naturaleza Política Del Libro - La Red (Taller de Ediciones Económicas, 2016) and Open Education (Rowman and Littlefield International, 2014), and co-editor of Experimenting (Fordham UP, 2007) and New Cultural Studies: Adventures in Theory (Edinburgh UP, 2006). 

In 1999 he co-founded the critical theory journal Culture Machine. In 2006 he co-founded an open access publishing house Open Humanities Press (OHP), which he still co-directs. He also co-edits OHP's Liquid Books series and the Jisc-funded Living Books About Life series.

He has given lectures and seminars at institutions around the world, including the Australian National University, Columbia University, European University Institute, University of Heidelberg, University of Calfornia, Irvine, K.U. Leuven, Lund University, Monash University, New York University, University of Southern California, the Onassis Cultural Centre in Athens, the Reina Sofia Museum in Madrid and the Wellcome Collection in London. With over thirty peer-reviewed publications in edited books and academic journals including American LiteratureAngelakiCultural StudiesJournal of Visual CultureNew FormationsThe Oxford Literary Review and Radical Philosophy, his work has been translated into Chinese, French, Japanese, Turkish, Russian, Spanish and Slovenian. He is currently developing a series of politico-institutional interventions that draw on digital media to actualise, or creatively perform, critical theory; and completing a new monograph, ÜberCapitalism vs. Data Commonism.

Hall has written on the commons, copyright, cultural analytics, data, metadata, digital capitalism, digital humanities, the history and future of the book, media archaeology, new materialism, open access, open education, piracy, the posthuman, posthumanities, Marxism, post-Marxism, psychoanalysis, the quantified self, the sharing economy, secrecy, the idea of the university, and on the philosophy of Foucault, Deleuze, Derrida, Lyotard, Hardt and Negri, Mouffe, Stiegler and Braidotti.
 

He is associated with the development of a number of concepts and critical practices, including open medialiquid theoryliving booksradical open accessthe microentrepreneur of the selfaffirmative disruptiondisruptive humanitiesmasked mediaübercapitalism, and pirate philosophy