Latest...

'Posthumanities: The Dark Side of "The Dark Side of the Digital"' (with Janneke Adema), in Janneke Adema and Gary Hall, eds, Disrupting the Humanities: Towards Posthumanities, Journal of Electronic Publishing, Vol. 9, No.2, Winter, 2016.

'Pirate Philosophy And Post-Capitalism: A Conversation With Gary Hall', by Mark Carrigan, The Sociological Imagination, December 8, 2016.

The Uberfication of the University - new book! (Open access version available here.)

Pirate Philosophy - new book!

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repository CURVE here 

performative project Janneke Adema has put together, based on our ‘The Political Nature of the Book: On Artists’ Books and Radical Open Access’ article for New Formations, Number 78, Summer, 2013. 

'What Does Academia.edu's Success Mean for Open Access: The Data-Driven World of Search Engines and Social Networking', Ctrl-Z: New Media Philosophy, no.5, 2015.

Radical Open Access network

Biography

Still from The Pirates of Copenhagen

Gary Hall is a theorist, writer and experimental publisher, working in the areas of new media, philosophy, art and politics. He is Professor of Media and Performing Arts in the Faculty of Arts & Humanities, and Director of the Centre for Disruptive Media, at Coventry University, UK. He is author of Pirate Philosophy (MIT Press, 2016), The Uberfication of the University (Minnesota UP, 2016), Digitize This Book! (Minnesota UP, 2008), and Culture in Bits (Continuum, 2002). He is also co-author of Open Education (Rowman and Littlefield International, 2014), and co-editor of Experimenting (Fordham UP, 2007) and New Cultural Studies: Adventures in Theory (Edinburgh UP, 2006). 

In 1999 he co-founded the critical theory journal Culture Machine. In 2006 he co-founded Open Humanities Press (OHP). 

He has given lectures and seminars at institutions around the world including the Australian National University, Columbia University, European University Institute, University of Heidelberg, University of Calfornia, Irvine, K.U. Leuven, Lund University, Monash University, New York University, University of Southern California, the Onassis Cultural Centre in Athens, and the Reina Sofia Museum in Madrid.  With over thirty peer-reviewed publications in edited books and academic journals including American LiteratureAngelakiCultural StudiesJournal of Visual Culture, New FormationsThe Oxford Literary Review and Radical Philosophy, his work has been translated into Chinese, French, Japanese, Turkish, Russian and Slovenian. He is currently developing a series of politico-institutional interventions that draw on digital media to actualise, or creatively perform, critical theory; and completing a new monograph, Data Commonism/Übercapitalism.