Some recent-ish publications

Experimental Publishing Compendium

Combinatorial Books: Gathering Flowers (book series)

How To Be A Pirate: An Interview with Alexandra Elbakyan and Gary Hall by Holger Briel’.

'Experimenting With Copyright Licences' (blogpost for the COPIM project - part of the documentation for the first book coming out of the Combinatorial Books pilot)

Review of Bitstreams: The Future of Digital Literary Heritage' by Matthew Kirschenbaum

Contribution to 'Archipiélago Crítico. ¡Formado está! ¡Naveguémoslo!' (invited talk: in Spanish translation with English subtitles)

'Defund Culture' (journal article)

How to Practise the Culture-led Re-Commoning of Cities (printable poster), Partisan Social Club, adjusted by Gary Hall

'Pluriversal Socialism - The Very Idea' (journal article)

'Writing Against Elitism with A Stubborn Fury' (podcast)

'The Uberfication of the University - with Gary Hall' (podcast)

'"La modernidad fue un "blip" en el sistema": sobre teorías y disrupciones con Gary Hall' ['"Modernity was a "blip" in the system": on theories and disruptions with Gary Hall']' (press interview in Colombia)

'Combinatorial Books - Gathering Flowers', with Janneke Adema and Gabriela Méndez Cota - Part 1; Part 2; Part 3 (blog post)

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repositories PURE here, or in Humanities Commons here

Radical Open Access

Radical Open Access Virtual Book Stand

'"Communists of Knowledge"? A case for the implementation of "radical open access" in the humanities and social sciences' (an MA dissertation about the ROAC by Ellie Masterman). 

« Open Media lecture series | Main | Better living through sharing: living books about life and other open media projects »
Wednesday
Aug012012

Paying attention: new issue of Culture Machine

CULTURE MACHINE 13 (2012)
http://www.culturemachine.net/index.php/cm/issue/current

PAYING ATTENTION
edited by Patrick Crogan and Samuel Kinsley

How are the ways we understand subjective experience – not least cognitively – being modulated by political economic rationales? And how might artists, cultural theorists, social scientists and radical philosophers learn to respond – analytically, creatively, methodologically and politically – to the commodification of human capacities of attention? This special issue of Culture Machine explores these interlinked questions as a way of building upon and opening out contemporary research concerning the economisation of cognitive capacities. It proposes a contemporary critical re-focussing on the politics, ethics and aesthetics of the ‘attention economy’, a notion developed in the 1990s by scholars such as Jonathan Beller, Michael Goldhaber and Georg Franck.

Contents

Patrick Crogan, Samuel Kinsley, ‘Paying Attention: Towards a Critique of the Attention Economy’

Bernard Stiegler, ‘Relational Ecology and the Digital Pharmakon’

Tiziana Terranova, ‘Attention, Economy and the Brain’

Jonathan Beller, ‘Wagers Within the Image: Rise of Visuality, Transformation of Labour, Aesthetic Regimes’

Samuel Kinsley, ‘Towards Peer-to-Peer Alternatives: An Interview with Michel Bauwens’

Sy Taffel, ‘Escaping Attention: Digital Media Hardware, Materiality and Ecological Cost’

Ben Roberts, ‘Attention-seeking: Technics, Publics and Software Individuation’

Taina Bucher, ‘A Technicity of Attention: How Software “Makes Sense”’

Martyn Thayne, ‘Friends Like Mine: The Production of Socialised Subjectivity in the Attention Economy’

Rolien Hoyng, ‘Popping Up and Fading Out: Participatory Networks and Istanbul’s Creative City Project’

Bjarke Liboriussen, ‘Second Life: Message (to Professionals), Attention! Economic Bubble (to the Rest of Us)’

Bjarke Liboriussen, Ursula Plesner, ‘Current Architectural Use of Virtual Worlds’

Ruth Catlow, ‘We Won’t Fly for Art: Media Art Ecologies’

Constance Fleuriot, ‘Avoiding Vapour Trails in the Virtual Cloud: Developing Ethical Design Questions for Pervasive Media Producers’

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