Recent-ish publications

Review of Bitstreams: The Future of Digital Literary Heritage' by Matthew Kirschenbaum

Contribution to 'Archipiélago Crítico. ¡Formado está! ¡Naveguémoslo!' (invited talk: in Spanish translation with English subtitles)

'Defund Culture' (journal article)

How to Practise the Culture-led Re-Commoning of Cities (printable poster), Partisan Social Club, adjusted by Gary Hall

'Pluriversal Socialism - The Very Idea' (journal article)

'Writing Against Elitism with A Stubborn Fury' (podcast)

'The Uberfication of the University - with Gary Hall' (podcast)

'"La modernidad fue un "blip" en el sistema": sobre teorías y disrupciones con Gary Hall' ['"Modernity was a "blip" in the system": on theories and disruptions with Gary Hall']' (press interview in Colombia)

'Combinatorial Books - Gathering Flowers', with Janneke Adema and Gabriela Méndez Cota - Part 1; Part 2; Part 3 (blog post)

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repositories PURE here, or in Humanities Commons here

Radical Open Access

Radical Open Access Virtual Book Stand

'"Communists of Knowledge"? A case for the implementation of "radical open access" in the humanities and social sciences' (an MA dissertation about the ROAC by Ellie Masterman). 

Community-led Open Publication Infrastructures for Monographs (COPIM) project

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Friday
Feb072020

Attention, Habit, Becoming in India’s Platform Ecologies



Attention, Habit, Becoming in India’s Platform Ecologies


This presentation of on-going research considers participatory action research on the political economy of India’s media ecologies, or what I will also refer to as a decolonising political ecology of media. My interest here is in practically diagramming an antogonistic domain of platform monopoly, information control, value extraction, dispossession, and exploitation, and also digital piracy, technological tinkering and repurposing, and collective lines of autonomous flight and social reproduction that techniques of control attempt to capture and revalue: this is  the simultaneously global and singular domain of the reterritorialisation and deterritorialisation of attention and habit today. In recent studies, the political economy of media has expanded beyond ‘Western’ capitalist intellectual property regulatory regimes and complexified beyond the (post)human; in these researches ecological thought has become more materialist and processual. These new materialist methods shift our focus from the social construction of fetishized, reified media platforms (film, TV, radio) toward the actually existing infrastructures of communication and information, their complex processes of value and sense, their vector-tendencies of resistance and violence within which all forms of media are co-evolving today. This presentation considers the practices and discourses surrounding 'jugaad' (everyday workarounds) and social media platforms in India in relation to recent articulations of political theory: Invisible Committee's Now (2017) and Mario Tronti's Workers and Capital (1965). 


Dr. Amit S. Rai is Reader in Creative Industries and Arts Organising at Queen Mary, University of London, where he has also taught critical marketing studies and business ethics. He is author of Rule of Sympathy: Race, Sentiment, Power 1760-1860 (Palgrave, 2002) and Untimely Bollywood: Globalization and India’s New Media Assemblage (Duke UP, 2009). He has taught at the New School for Social Research, Florida State University, Tata Institute of Social Sciences, and Lorton Maximum Security Prison. His current research touches on critical management and organizational studies of the creative and cultural industries in the UK and India, the gendering of affective labor in social reproduction in India, media practices of commoning, and hacking and piracy ecologies in the UK and South Asia. His monograph on work-around practices in Indian urban digital ecologies, Jugaad Time: Ecologies of Everyday Hacking in India, was published in 2019 by Duke University Press.