Some recent-ish publications

Experimental Publishing Compendium

Combinatorial Books: Gathering Flowers (book series)

How To Be A Pirate: An Interview with Alexandra Elbakyan and Gary Hall by Holger Briel’.

'Experimenting With Copyright Licences' (blogpost for the COPIM project - part of the documentation for the first book coming out of the Combinatorial Books pilot)

Review of Bitstreams: The Future of Digital Literary Heritage' by Matthew Kirschenbaum

Contribution to 'Archipiélago Crítico. ¡Formado está! ¡Naveguémoslo!' (invited talk: in Spanish translation with English subtitles)

'Defund Culture' (journal article)

How to Practise the Culture-led Re-Commoning of Cities (printable poster), Partisan Social Club, adjusted by Gary Hall

'Pluriversal Socialism - The Very Idea' (journal article)

'Writing Against Elitism with A Stubborn Fury' (podcast)

'The Uberfication of the University - with Gary Hall' (podcast)

'"La modernidad fue un "blip" en el sistema": sobre teorías y disrupciones con Gary Hall' ['"Modernity was a "blip" in the system": on theories and disruptions with Gary Hall']' (press interview in Colombia)

'Combinatorial Books - Gathering Flowers', with Janneke Adema and Gabriela Méndez Cota - Part 1; Part 2; Part 3 (blog post)

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repositories PURE here, or in Humanities Commons here

Radical Open Access

Radical Open Access Virtual Book Stand

'"Communists of Knowledge"? A case for the implementation of "radical open access" in the humanities and social sciences' (an MA dissertation about the ROAC by Ellie Masterman). 

« McKenzie Wark, ‘copyright, copyleft, copygift’ | Main | On the unbound (nature of this) book (version 3.0) »
Friday
Jul222011

Ulises Carrión: a text is only a book when it is bound

 

As we know from Ulises Carrión, there is no such thing as an unbound book.  ‘A writer… does not write books’, he declares in ‘The New Art of Making Books’:

A writer writes texts.

The fact, that a text is contained in a book, comes only from the dimensions of such a text; or, in the case of a series of short texts (poems, for instance), from their number.

The book is just a container for text.  The idea of binding is thus essential to the book.

Tempting though it may be, then, we can’t say that whereas in the past the book had been bound it isn’t anymore and that, after centuries of print, such conventional notions of the book have become outdated. We can’t say this, not just because e-books and iPad apps -- while offering different types of binding to printed books, different ways of securing pages together -- nevertheless reinforce rather conservative, papercentric notions of bookishness that make their identities just as closed, fixed, stable, locked-down and certain in their own ways as those of the scroll and codex book (for authors and publishers, but also for readers). That’s one reason, to be sure. But the main reason we can’t say this is because an unbound book is quite simply no longer a book. Without a binding, without being tied or fastened tightly together, a writer’s text is not a book at all: it is just a text or collection of texts. A text is only a book when it is bound.

(This is one of a series of posts written as version 3.0 of a contribution to Mark Amerika's remixthebook project. For other posts in the series, see below and here)