Some recent-ish publications

Experimental Publishing Compendium

Combinatorial Books: Gathering Flowers (book series)

How To Be A Pirate: An Interview with Alexandra Elbakyan and Gary Hall by Holger Briel’.

'Experimenting With Copyright Licences' (blogpost for the COPIM project - part of the documentation for the first book coming out of the Combinatorial Books pilot)

Review of Bitstreams: The Future of Digital Literary Heritage' by Matthew Kirschenbaum

Contribution to 'Archipiélago Crítico. ¡Formado está! ¡Naveguémoslo!' (invited talk: in Spanish translation with English subtitles)

'Defund Culture' (journal article)

How to Practise the Culture-led Re-Commoning of Cities (printable poster), Partisan Social Club, adjusted by Gary Hall

'Pluriversal Socialism - The Very Idea' (journal article)

'Writing Against Elitism with A Stubborn Fury' (podcast)

'The Uberfication of the University - with Gary Hall' (podcast)

'"La modernidad fue un "blip" en el sistema": sobre teorías y disrupciones con Gary Hall' ['"Modernity was a "blip" in the system": on theories and disruptions with Gary Hall']' (press interview in Colombia)

'Combinatorial Books - Gathering Flowers', with Janneke Adema and Gabriela Méndez Cota - Part 1; Part 2; Part 3 (blog post)

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repositories PURE here, or in Humanities Commons here

Radical Open Access

Radical Open Access Virtual Book Stand

'"Communists of Knowledge"? A case for the implementation of "radical open access" in the humanities and social sciences' (an MA dissertation about the ROAC by Ellie Masterman). 

« What do we have the right not to call a 'book'? | Main | Open notebook humanities »
Monday
Sep122011

'Gathered through dispersion': the book to come

At what point does the material that goes to make up a book become bound tightly enough for it to be understood as actually making up a book? Where in practice is the line going to be drawn?

And what if some of this material is disseminated out of sequence, under different titles, in other versions, forms and places where it is not quite so easy to bind, legally, economically or conceptually, as a book? Let us take as an example the version of the chapter in Media Gifts that explores the idea of liquid books. This appears as part of an actual liquid book that is published using a wiki, and is free for users to read, comment upon, rewrite, remix and reinvent. Similarly, the chapter on pirate philosophy is currently only available on a ‘pirate’ peer-to-peer network. There is no ‘original’ or ‘master’ copy of this text in the conventional sense: this text exists only to the extent it is part of a ‘pirate network’ and is stolen or ‘pirated’ (and translated, in the case of the version that recently appeared in the Japanese magazine Gendai-Shiso).

Indeed, while each of the media projects the book is concerned with – at the moment there are ten in all - constitutes a distinct project in its own right, they can also be seen as forming a dynamic network of texts, websites, archives, wikis, IPTV programmes and other internet traces. Consequently, if it is to be thought of as a book at all, it should be understood as an open, distributed and multi-location book: parts of it are to be found on a blog, others on wikis, others again on p2p networks. To adapt a phrase of Maurice Blanchot’s from The Book to Come (for whom Stéphane Mallarmé’s ‘Un Coup de dés orients the future of the book both in the direction of the greatest dispersion and in the direction of a tension capable of gathering infinite diversity, by the discovery of more complex structures’), Media Gifts is a book ‘gathered through dispersion’. 

 

(This is one of a series of posts written as version 3.0 of a contribution to Mark Amerika's remixthebook project. For other posts in the series, see below and here)

Reader Comments (1)

To me a book is clearly defined as a physical object that retains the characteristics of a classic book. That isn't to say the wonderful things that are associated with the value of a book are limited to it, but I think it should always carry with it that physical feel. I don't like e-books and think in the end, written words worth writing should be encapsulated in something we must burn in order to get rid of.

May 19, 2012 | Unregistered CommenterAdore' reading

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