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 The Inhumanist Manifesto: Extended Play (Techne Lab, 2017)

'The Inhumanist Manifesto', Media Theory, Vol. 1, No.1, 2017.

The Uberfication of the University (Open access Forerunners series version available here; as of April 4 2017 an interactive Manifold series version is available here.)

Públicos Fantasma - La Naturaleza Política Del Libro - La Red (Mexico: Taller de Ediciones Económicas, 2016) - new book, co-authored with Andrew Murphie, Janneke Adema and Alessandro Ludovico. 

'Posthumanities: The Dark Side of "The Dark Side of the Digital"' (with Janneke Adema), in Janneke Adema and Gary Hall, eds, Disrupting the Humanities: Towards Posthumanities, Journal of Electronic PublishingVol. 9, No.2, Winter, 2016.

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repository CURVE here 

Radical Open Access 

performative project Janneke Adema has put together, based on our ‘The Political Nature of the Book: On Artists’ Books and Radical Open Access’ article for New Formations, Number 78, Summer, 2013. 

'What Does Academia.edu's Success Mean for Open Access: The Data-Driven World of Search Engines and Social Networking', Ctrl-Z: New Media Philosophy, no.5, 2015.

« Why Are We Not Boycotting Academia.edu? - symposium, Coventry University, 8 December | Main | Performing the Humanities @ 24 fps: Part 2 »
Wednesday
Nov182015

Photomediations: A Call for Creative Works

The editors of Photomediations: An Open Book are working with the Europeana Space Best Practice Network to curate an exhibition (both online and physical), and are calling out to the photographic community to submit works for consideration.
 
We are looking for still and/or moving image works (as well as post-digital collages, installations and sculptures), that creatively reuse – in the form of mashups, collages, montages, tributes or pastiches – one or more original image files taken from the Europeana repository of cultural artefacts (http://www.europeana.eu). Europeana contains millions of items from a range of Europe’s leading galleries, libraries, archives and museums: books and manuscripts, photos and paintings, television and film, sculpture and crafts, diaries and maps, sheet music and recordings. Renowned names such as the British Library in London, the Rijksmuseum in Amsterdam and the Louvre in Paris are featured alongside smaller organisations across Europe. Whether you find a celebrated piece or a lesser-known work, Europeana connects you directly to the original source material.
 
How to submit your work in 4 easy steps:
1. Check out Photomediations: An Open Book (http://www.photomediationsopenbook.net) for inspiration, both about the concept of photomediations and about what can be done with various images.
2. Visit the Europeana repository (http://www.europeana.eu) and start collecting the images you wish to work with.
3. Develop and produce your work. Use mashup, collage, montage, tribute, pastiche, or any other technique that creatively reuses the source material in some way. Don’t be afraid to experiment!
4. Please email your submission to photomediations@gmail.com.
 
Submission is FREE. The closing date for the submissions is 30 March 2016. All successful entries will be notified by the judges by the end of April 2016. Selected entries and up to 10 honourable mentions will be highlighted on the exhibition website and then shown in a real-life exhibition venue. The organisers will seek to bear the print production costs for the real-life exhibition.
 
For further information about the exhibition please visit our website:
Submission requirements:
 
Should you have any questions, please contact photomediations@gmail.com.
 
This exhibition is part of Europeana Space, a project funded by the European Union’s ICT Policy Support Programme under GA n° 621037.

 

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