Recent-ish publications

Review of Bitstreams: The Future of Digital Literary Heritage' by Matthew Kirschenbaum

Contribution to 'Archipiélago Crítico. ¡Formado está! ¡Naveguémoslo!' (invited talk: in Spanish translation with English subtitles)

'Defund Culture' (journal article)

How to Practise the Culture-led Re-Commoning of Cities (printable poster), Partisan Social Club, adjusted by Gary Hall

'Pluriversal Socialism - The Very Idea' (journal article)

'Writing Against Elitism with A Stubborn Fury' (podcast)

'The Uberfication of the University - with Gary Hall' (podcast)

'"La modernidad fue un "blip" en el sistema": sobre teorías y disrupciones con Gary Hall' ['"Modernity was a "blip" in the system": on theories and disruptions with Gary Hall']' (press interview in Colombia)

'Combinatorial Books - Gathering Flowers', with Janneke Adema and Gabriela Méndez Cota - Part 1; Part 2; Part 3 (blog post)

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repositories PURE here, or in Humanities Commons here

Radical Open Access

Radical Open Access Virtual Book Stand

'"Communists of Knowledge"? A case for the implementation of "radical open access" in the humanities and social sciences' (an MA dissertation about the ROAC by Ellie Masterman). 

Community-led Open Publication Infrastructures for Monographs (COPIM) project

« Paper Struggles & Public Library and the Property Form: Exhibition and Seminar | Main | Experimental Publishing III – Critique, Intervention, And Speculation »
Friday
Nov012019

How To Be A Pirate In The 21st Century

This is the abstract for my keynote lecture at 20 Years of File Sharing - What is Next?: Third Futures of Media Conference, Xi'an Jiaotong Liverpool University, Suzhou, China, 8-10 November 2019.


Over the last 20 years I have helped to develop over 15 grassroots, bottom-up projects for the production of free resources, technical infrastructure and the commons. They include: Culture Machine, a journal of critical and cultural theory that was launched in 1999 – the same year Napster started; Open Humanities Press, an international publishing collective; and the Radical Open Access Collective, a community of non-profit presses, journals and other entities formed in 2015 and now consisting of over 60 members. 

In this lecture I will discuss the politics underpinning these initiatives together with some of the associated concepts and practices, including pirate philosophy, radical open access and anti-bourgeois theory. In the process I will explain why, as academics and researchers, we should be interested in peer-to-peer (P2P) file sharing: as an object of study; but also as activity we should become involved with ourselves more and more in the future. The likes of Napster, Gnutella, MegaUpload, the Pirate Bay and BitTorrent will all be featured. Particular emphasis, however, will be placed on pirate file-sharing libraries such as Aaaaarg.org, UbuWeb, Monoskop, Public Library: Memory of the World, Libgen and Sci-Hub.

 

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