Some recent-ish publications

Experimental Publishing Compendium

Combinatorial Books: Gathering Flowers (book series)

How To Be A Pirate: An Interview with Alexandra Elbakyan and Gary Hall by Holger Briel’.

'Experimenting With Copyright Licences' (blogpost for the COPIM project - part of the documentation for the first book coming out of the Combinatorial Books pilot)

Review of Bitstreams: The Future of Digital Literary Heritage' by Matthew Kirschenbaum

Contribution to 'Archipiélago Crítico. ¡Formado está! ¡Naveguémoslo!' (invited talk: in Spanish translation with English subtitles)

'Defund Culture' (journal article)

How to Practise the Culture-led Re-Commoning of Cities (printable poster), Partisan Social Club, adjusted by Gary Hall

'Pluriversal Socialism - The Very Idea' (journal article)

'Writing Against Elitism with A Stubborn Fury' (podcast)

'The Uberfication of the University - with Gary Hall' (podcast)

'"La modernidad fue un "blip" en el sistema": sobre teorías y disrupciones con Gary Hall' ['"Modernity was a "blip" in the system": on theories and disruptions with Gary Hall']' (press interview in Colombia)

'Combinatorial Books - Gathering Flowers', with Janneke Adema and Gabriela Méndez Cota - Part 1; Part 2; Part 3 (blog post)

Open Access

Most of Gary's work is freely available to read and download either here in Media Gifts or in Coventry University's online repositories PURE here, or in Humanities Commons here

Radical Open Access

Radical Open Access Virtual Book Stand

'"Communists of Knowledge"? A case for the implementation of "radical open access" in the humanities and social sciences' (an MA dissertation about the ROAC by Ellie Masterman). 

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Friday
Mar182022

Art & Knowledge

This is the abstract for a talk I am due to give with Mel Jordan as part of the programme of events (also featuring Emily Seghal and Joanna Drucker) organised to accompany the Bibliotech exhibition, Liverpool, May 5, 2022. The exhibition includes installations by Erica Scourti, Anna Barham, Silvio Lorruso and Diagonal Press.

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Mel Jordan and Gary Hall, Art & Knowledge

For us, the arts and humanities are a site for the invention and testing of new knowledges, new practices, even new subjectivities, not least for the artist and author. Working with a range of different collaborators we carry out such tests in spaces traditionally associated with the institutions of the university and art school. We do so by reimagining various media-material aspects of the creation, circulation and sharing of art and knowledge, including books, journals, pamphlets and presses. See the Freee art collective’s choral reworking of pre-existing manifestos, or the processual texts of Open Humanities Press's two liquid and living books series. But we are also concerned to conduct such tests in the public sphere by collaborating on the reimagining of galleries, libraries, archives, museums and other elements of municipal infrastructure. In both cases we operate very much in terms of those social movements dedicated to radical open access, peer production, internet ‘piracy’ and the anti-privatised knowledge commons. We are now working on the following question: can the collaborative, performative approaches to art and knowledge we have developed with initiatives such as the Partisan Social Club and Media Gifts be translated to cities? The idea is to help reinvent them, too, through the provision of a diverse repertoire of counter-institutional alternatives to those galleries and libraries that are currently being provided by the state and corporate realms, often under the rubric of 'smart'. In the era of AI, blockchains and NFTs, do such counter-practices have the potential to generate a more socially just and environmentally sustainable way of living and learning in cities in the future?